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Thursday, July 15, 2010
Angels Egg - Gong
Listen to the album first and/or download the whole Angels Egg album if you like it!
Angel's Egg is an album by Gong, recorded and originally released on Virgin Records in 1973.
It was recorded using the Manor Mobile at Pavillon du Hay, France, and mixed at The Manor, Oxfordshire, England. The album was produced by Gong under the direction of Giorgio Gomelsky.
Angel's Egg is the second in Gong's Radio Gnome Invisible trilogy of albums, following Flying Teapot and preceding You. The trilogy forms a central part of the Gong mythology. The original album did not have an apostrophe in the title.
The original vinyl edition came with a booklet containing an extensive explanation of the mythology, including lyrics, a glossary of terms, and profiles of characters in the story and band members. This edition also had a gatefold cover (omitted in later pressings), a plain inky blue innersleeve to match the gatefold and booklet, and had the original black and white Virgin label that was discontinued after 1973; it was one of the last albums to use the original label. Some copies had a sticker over top of the female nude in the moon on the cover.
The CD version released by Charly Records contains an extra track: "Ooby-Scooby Doomsday or The D-day DJ's Got the D.D.T. Blues", that ends with a male voice choir glissando (questionably regarded by some as a parody on Pink Floyd's "Echoes"), starting with "Ahhhh" and ending with "Chooo", mimicking a sneeze. The track was originally released on the Live Etc. album but was excluded from the CD release (which reissued that double album as one disc), and included on this album instead.
Side one (Yin / Side of the Goddess)
1. "Other Side of the Sky" (Tim Blake, Daevid Allen) – 7:38
2. "Sold to the Highest Buddha" (Mike Howlett, Allen) – 3:10
3. "Castle in the Clouds" (Steve Hillage) – 1:13
4. "Prostitute Poem" (Gilli Smyth, Hillage) – 6:05
5. "Givin My Luv to You" (Allen) – 0:42
6. "Selene" (Allen) – 3:32
[edit] Side two (Yang / Side of the Fun Gods / The Masculung Side)
1. "Flute Salad" (Didier Malherbe) – 2:46
2. "Oily Way" (Allen, Malherbe) – 3:01
3. "Outer Temple" (Blake, Hillage) – 1:09
4. "Inner Temple" (Allen, Malherbe) – 3:21
5. "Percolations" (Pierre Moerlen) – 0:40
6. "Love is How Y Make It" (Moerlen, Allen) – 3:25
7. "I Niver Glid Before" (Hillage) – 5:37
8. "Eat That Phone Book Coda" (Malherbe) – 3:10
Download Links;
http://www.ziddu.com/downloadlink/10717752/Gong-AngelsEgg-00-OilyWay.mp3
http://www.ziddu.com/downloadlink/10717750/Gong-AngelsEgg-01-OtherSideOfTheSky.mp3
http://www.ziddu.com/downloadlink/10717749/Gong-AngelsEgg-02-SoldToTheHighestBuddah.mp3
http://www.ziddu.com/downloadlink/10717751/Gong-AngelsEgg-03-CastleInTheClouds.mp3
http://www.ziddu.com/downloadlink/10717754/Gong-AngelsEgg-04-ProstitutePoem.mp3
http://www.ziddu.com/downloadlink/10717753/Gong-AngelsEgg-05-GivinMyLuvToYou.mp3
http://www.ziddu.com/downloadlink/10719111/Gong-AngelsEgg-06-Selene.mp3
http://www.ziddu.com/downloadlink/10719113/Gong-AngelsEgg-07-FluteSalad_OilyWay.mp3
http://www.ziddu.com/downloadlink/10719112/Gong-AngelsEgg-08-OuterTemple.mp3
http://www.ziddu.com/downloadlink/10719110/Gong-AngelsEgg-09-InnerTemple.mp3
Recommended Download;
Spirit 1968 (Full Album Download)
Spirit's self-titled debut album is one whose multifarious experimentalism owes a lot to the contemporary successes of The Beatles' Sgt. Pepper's Lonely Hearts Club Band and Pink Floyd's The Piper at the Gates of Dawn. It marked the humble beginnings and grand aspirations of its eponymous authors. While the mindset required to produce Spirit was ubiquitous, the endeavour itself was far from clichéd. The eclecticism of Randy California's writing coupled Barrett's psychotropism with Morrison's West Coast bohemianism; and although the result proved somewhat inaccessible to the masses, it made the project ripe for underground FM airtime. The band would later curtail its psychedelia, focusing on a broader array of genres.
This release was published first by Ode records in 1968. It has since been reprinted by Sony–repackaged in compact-disc form and remastered from original analogue tapes. (Wikipedia)
1. "Fresh-Garbage" 3:11
2. "Uncle Jack" 2:44
3. "Mechanical World" Andes, Ferguson 5:15
4. "Taurus" California 2:37
5. "Girl in Your Eye" 3:15
6. "Straight Arrow" 2:50
7. "Topanga Windows" 3:36
8. "Gramophone Man" Andes, California, Cassidy, Ferguson, Locke 3:49
9. "Water Woman" 2:11
10. "The Great Canyon Fire in General" 2:46
11. "Elijah" Locke 10:42
12. "Veruska †" California 2:50
13. "Free Spirit †" Locke 4:27
14. "If I Had a Woman †" California 3:11
15. "Elijah (Alternate Take) †" Locke 9:42
* † - Tracks specific to the 1996 reissue
http://www.mediafire.com/?sharekey=1cfa8d0713a34f55c8e3299add24683d3727335371361e5dd39c1c19777169812430768d46b17c2e96d4a514bf5d2e2c
Sunday, January 17, 2010
Arthur Brown's Kingdome Come band
I'd like to turn you one to one of the Greatest Voices of the Psychedelic Space Rock Era; The Tom Jones of Cosmic Music, Mr Arthur Brown and his Kingdom Come band.
So please Ladies and Gentlemen, sit back, Tune In Turn On and Drop Out with Arthur and take a Journey to Kingdome Come on the back of one of the Most fearsome Dinosaurs of Acid Rock this Planet has ever known.
MP3 goodies will be available to download at the bottom of the post soon,so come back to check for download links in a few days.
Arthur Brown Kingdom Come - Sunrise
Arthur Brown - Fire! (1975)
Original version
Arthur Brown´s Kingdom Come - Time Captives
Arthur Brown - I Put A Spell On You
Arthur Brown - Helen with the Sun (1975)
Arthur brown's Kingdom Come - Spirit of Joy (1973)
The Crazy World of Arthur Brown - Nightmare - 1968
Arthur Brown - Windsor 1967 Interview
Thursday, September 3, 2009
At War with the Mystics
Flaming Lips At War with the Mystics - (full album mp3)
The Flaming Lips are one of my favourite Cult Groups of the present era. Classed as a rock band i prefer to call them "Semi Psychedelic"
My favourite album of the moment by Flaming lips is "At War With The Mystics"
I have included some videos of some performances by the flaming lips featuring songs from the album, which is of course available for Download here
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At War with the Mystics is the eleventh album by the Flaming Lips. It was released on April 3, 2006 in international markets, and April 4, 2006 in the United States. It includes a different mix of the song, "Mr. Ambulance Driver", which was originally used as part of the soundtrack to the 2005 film Wedding Crashers. The album is more guitar-driven, and lyrically political, than The Soft Bulletin and Yoshimi Battles the Pink Robots.
The track "It Overtakes Me" has gained considerable interest, being featured as the soundtrack to a UK television commercial for Beck's beer, and "The W.A.N.D." has been used in European adverts for Bud Light and for Dell Computers in the U.K. and the U.S.
"The Wizard Turns On..." won a 2006 Grammy Award for Best Rock Instrumental Performance and Best Engineered Album, Non-Classical. The album was nominated for the Best Alternative Album Grammy. The 5.1 mix of the album was nominated for Best Surround Sound Album in 2008.
Wikipedia link
1. "The Yeah Yeah Yeah Song (With All Your Power)" 4:51
2. "Free Radicals (A Hallucination of the Christmas Skeleton Pleading with a Suicide Bomber)" 3:39
3. "The Sound of Failure / It's Dark... Is It Always this Dark??" 7:18
4. "My Cosmic Autumn Rebellion (The Inner Life as Blazing Shield of Defiance and Optimism as Celestial Spear of Action)" 4:48
5. "Vein of Stars" 4:15
6. "The Wizard Turns On... The Giant Silver Flashlight and Puts on His Werewolf Moccasins" 3:41
7. "It Overtakes Me/The Stars Are So Big... I Am So Small... Do I Stand a Chance?" 6:50
8. "Mr. Ambulance Driver" 4:21
9. "Haven't Got a Clue" 3:23
10. "The W.A.N.D. (The Will Always Negates Defeat)" 3:44
11. "Pompeii am Götterdämmerung" 4:22
12. "Goin' On"
Thursday, May 29, 2008
Space Ritual - Hawkwind classic space rock

Space Ritual - recorded 1972 and released the next year,
hawkwind's "Space Ritual" double live album included what
is now considered to be the Classic lineup of the band.
Hawkwind are the first and foremost of the Space
Rock/Acid Rock movement; pioneering in both sound and
stage performance.The content of their music is textually
both psychedelic in terms of the universe it portrays, and
inspiring to anyone looking towards cosmic consciousness
as an exit route to the hell of everyday worldly banality. But
seriously folks (seriously?), Hawkwind's lyrics have both
enormity of meaning in the content and prose in the way
that poetic intermissions are inserted between some songs as
a 'Waypaving' for the mind to be in the right state and
thinking of the right thing when the main song begins.This is
part of the journey you partake in when you become a
dedicated passenger of spaceship hawkwind (a fan).
Hawkwind were largely responsible for the survival into the
seventies of the countercultural idealism that was born in the
sixties. Constantly performing live concerts and "Gigs"
(including five days playing for free outside of the isle of
wight festival in 1970).
A Hawkwind concert was not just a sonic experience;
Hawkwind were one of the first and few artists to use
"Multimedia performance" in those days, complimenting
your trip with visual effects and projections, smoke and
special sound effects, costumes and support artists such as
fire breathers & jugglers.
For me this album (along with Warrior on the edge of Time - 1974), encapsulates the spirit of Hawkwind...ancient spirits, spacecraft, reincarnation, Pleiadeian concepts fuelled by an inclination to the cosmology of ancient Egyptian lore in a kind of Futuristic Pyramid flying saucer infested galaxy inhabited by Lords of Time and perception known as the Hawklords.
The Hawklords and the message contained in the music of Hawkwind has become almost a religion so to speak.
Their music inpires both the journey into inner and also outer space. Futuristic, Ancient, spiritual...Cosmic.
A message to wake up and remember something we may have forgotten is subtly suggested behind many a hawkwind lyric, suggesting that the latest rumours of the alleged Nibiru/Planet - X prophecy may have some foundation in truth after all.
They averaged about one concert avery three days in the first years.
The album Space Ritual was a classic acid-rock masterpiece.
Delving into lyrical profundity with songs like the paradox-stirring 'Space is Deep", or the ancient bards and future prophecy wielding "Seven by Seven", stirring visions of druidic forefathers mounting their flying discs and zapping off into a far future that we cannot yet even begin to imagine...a certain beckoning sensation is recieved on the hearing end of this sonic message that is filtering through the annals of time using this cosmic poem as a medium.
This album evokes sensations of worlds that are both psychic/spiritual and at the same time technological. Futuristic Utopian Empires are envisioned as the synthesized effects and Cosmic-Egyptian guitar riffs enter the ears of the listener to reside as a visual emanation in the mind's eye of a glittering kingdom alive with glistening ships floating through the amber skies.
Some tracks take us to darker places such as the hibernation dreams of a space/time travelling
being (soul) in his capsule at the end of time that is portrayed in "The Awakening"
Links: Night of the Hawks 1984 (Youtube Video Clip)


